opening

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During these next few posts, I'll be discussing the process of creating the show the Wizard of OZ performed from the 4th to the 8th of December.

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Characters development throughout the rehearsal process

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Once we had been given out characters we had a lot of script work lessons   Learning about horizon words from Jess who is the teacher assistants working with us throughout this project. She told us about this technique which she learned while studying at uclan. This technique of finding horizon words has massively helped me when experimenting with how I want to perform a piece. Another script technique I used was writing verbs to describe how I feel or what I’m doing a technique I learned at the royal exchange this was how I handed in my emotions and felt more connected to the what my character was saying. What I found hard during this process was how I did not necessarily have “character” in the cast as 1, in a few monologues that are all connected but I have no name or background or clear story. This left me with a lot of freedom to create my own character and experiment with who I wanted to be. After reading through the monologue and discussing who she might be I came ...
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The Context of Choas

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Once we had started rehearsals for the chaos we had a lot of discussions figuring out the context of the play, our two main themes turned out to be the butterfly effect/chaos theory and also the life of the teenager. The butterfly effect and chaos theory. An example of the butterfly effect that is most common is “when I butterfly flaps its wings in Brazil it can cause a hurricane in Texas” this analogy is also repeated throughout the play in short scenes. If the butterfly had not flapped its wings at just the right point in space/time, the hurricane would not have happened. A more rigorous way to express this is that small changes in the initial conditions lead to drastic changes in the results. Our lives are an ongoing demonstration of this principle. Because we can never know all the initial conditions of a complex system in perfect detail, we cannot hope to predict the long term effects of our actions. In our reality, small things in our system have a massive impact or mayb...
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set,costume and lighting.

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One of the first things we decided was to perform on the round, this was to give an intimate feel to the show but also make the audience feel apart of the performance. We wanted a challenge and the idea of the audience being so close to the scared and excited us. Being in the round got rid of a safety barrier that we are used to having like having wings or a backstage. A lot of the shows we do the audience is distant we don't get to see their faces but with our show, we can see everyone. Something that we could have done better was some of the blocking of the scenes even though we tried and most of the show was performed well in the round there was some like the opening and the poem where it was still performed very frontal. We didn't have time to change this but if we had more time we would have directed the opening and change some of the movement to be more suitable for in the round. Our set was very minimalistic and authentic. Brecht believed that the use of probes should b...
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